Christopher Morley's essential guide - with contributions from his team of specialist reviewers
CBSO Prom
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Apologies to all
In my excitement over the piece my fingers ran away with me, and I forgot to credit Ethyl Smyth as composer of the Concerto for Violin, Horn and Orchestra.
THE MUSIC BEHIND THE E-CARDS
MIKE HUGHES-CHAMBERLAIN AND JACQUIE LAWSON E-CARDS
by Christopher Morley
It's always a joy when an e-greetings card plops into your inbox, not least at festive times of the year. It's easy to understand why the sending of these cyber-messages has become so popular, given the huge cost of postage nowadays
At the forefront of this trend are the e-cards produced by Jacquie Lawson, and in addition to the attractive artwork, witty and sensitive storylines, and interactive opportunities offered by these little gems, comes the input of music, atmospheric and appropriate.
Whether specially composed or arranged from other sources, these sound-pictures are masterminded by Mike Hughes-Chamberlain, who has made the seamless connection between a musical education and Information Technology in order to create scores for these scores of delightful little gems.
He was brought up in Hindhead in Surrey, where his mother founded a music school in 1975.
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SINFONIA OF BIRMINGHAM AND PERSHORE ABBEY -- A DREAM TEAM
SINFONIA OF BIRMINGHAM
Pershore Abbey ****
Pershore is a gratifyingly parking-friendly town, with plenty of free spaces available to the visitor, not least in the vicinity of its magnificent Abbey. This splendid building chose the equally splendid Sinfonia of Birmingham to perform the first concert there since the beginning of the pandemic, and the atmosphere could not have been more welcoming.
The programme was all-Nordic, yet both works were conceived on Mediterranean shores. Nielsen's Helios Overture, inspired by a visit to Greece,, sounded a little unwarmed-up at the outset, but soon settled under Michael Seal's wise, communicative and unextragavant baton. Seal balanced volume and detail with a sure sense of structural growth, securing an almost Russian sturdiness of sound at full chordal passages.
Sibelius' Second Symphony , engendered in Italy, drew from the strings, authoritatively and ent...
A triumphant night for the CBSO’s ‘King Kazuki’ CBSO at Symphony Hall ★★★★★ I doubt if the forthcoming coronation of King Charles III will be greeted with such spontaneous joy or the wholehearted embrace which greeted Kazuki Yamada as he was crowned as the CBSO’s new Chief Conductor and Artistic Advisor. The packed Symphony Hall audience overflowed with warmth towards the vibrant, bouncing good humoured man whom they have held in great affection since he became Principal Guest Conductor in 2018. At the end of an exhilarating concert we were engulfed in hundreds of black and white “CBSO” embossed balloons released from the ceiling – general genial mayhem ensued. The madcap bacchanalian atmosphere was entirely fitting following a dynamic performance of Carl Orff’s choral blockbuster ‘Carmina Burana’. This was a triumph for the talented choirs and their Chorus Master Julian Wilkins. Just as a sight they were impressive – I gave up counting at around the 200 mark – with the CBSO Chor...