Midlands Classical Music Making

CAPUCON SCINTILLATES AND SHIMMERS CBSO at Symphony Hall ★★★★ Bizet's Carmen has an abundance of great melodies, the sort of tunes the milkman could whistle – when we had milkmen. So catchy and firmly embedded in our musical consciousness, that we don't even require the singers, as the orchestral Suite No.2 showed. German conductor Anja Bihlmaier has worked extensively in the opera house and was right at home here, coaxing some sparkling playing from the orchestra in the sultry Habanera and the whirling bacchanal of the Danse bohème. Alan Thomas's cornet gave us the swaggering toreador Escamillo and guest leader Tamas Kocsis, a chaste but tenderly beautiful Micaela. Gypsy music, of Hungary rather than Spain, was also the inspiration for Ravel's Tzigane. What a performance from Renaud Capuçon. Dazzling, scintillating, coruscating – add further adjectives as required. The double stops whizzed by and the pizzicatos pinged as the Frenchman, supported with s...

AMAZING TWO-PIANO EMPATHY MARTIN ROSCOE AND PETER DONOHOE Barber Institute, University of Birmingham ***** Coming as they do as the last-heard appendage to the advertised programme, encores obviously stick in the memory, which is why I tend not to like them. But the encore to this remarkable two-piano recital in the Birmingham International Piano Festival from Martin Roscoe and Peter Donohoe was something very special indeed, and I had no objection to its haunting me all the way home and indeed still as I write. This was Ravel's brilliant arrangement of Fetes, the second of Debussy's Nocturnes, given with a fleet dexterity, ear for sonority and balance, and a wonderful sense of natural empathy shared by these two of this country's senior pianists who have known and worked with each other for so long. Both are, of course, master soloists in their own right, but when they come together, in an atmosphere of mutual respect and affection, the result is captivating. The...

STANFORD AND ELGAR RUB ALONG VERY WELL IN MALVERN ALDWYN VOICES Autumn in Malvern at Malvern College **** After two days of endless rain the skies eventually cleared and Malvern College's Great Hall was bathed in afternoon sunshine for the final event in this thirtieth anniversary year of the Autumn in Malvern Festival. Its longevity is entirely due to the creative energy of founder and artistic director, Peter Smith, who has lived in the town all his life and possesses an encyclopaedic knowledge of its cultural heritage and history, which he harnesses in his programme planning. This concert 'Sir Charles Villiers Stanford & Sir Edward Elgar in Malvern' was a typical example, with part-songs and motets performed by Aldwyn Voices and a documentary narrative written by Smith and spoken with excellent clarity by poet/ playwright Peter Sutton. As a 75-minute sequence of words and music (delivered sensibly without an interval) it worked very well, displaying ...

RACHMANINOV VESPERS A JOY TO LISTEN TO RACHMANINOV VESPERS Ex Cathedra at Birmingham Town Hall ***** A packed house greeted this fine choir, (50 years of inspiring singing) with numerous vocal soloists shining from within, inspired by discreet Birmingham conductor Jeffrey Skidmore OBE, pioneering and performing choral works from as far back as the 16th, 17th and 18th centuries. What a star! Additional singers were also included from twelve Midlands choirs and used in specific movements in the Vespers. The lovely resonance of Birmingham's fine Town Hall was perfect for this music, enhancing the fullness of tone throughout. A joy to listen to. The programme provided was obviously well created, only occasionally difficult to follow for many of us 'out front' – with titles being in Russian for each movement - difficult to keep track of unless we had word clues such as recognisable 'Alleluias' to hang on to. This splendid choir also has fine 'in house' sol...

ROYAL BIRMINGHAM CONSERVATOIRE SYMPHONY ORCHESTRA AND CBSO SOUND AS ONE CBSO AND RBC SYMPHONY ORCHESTRA Symphony Hall ***** Close your eyes during this performance of Lutoslawski's Concerto for Orchestra and you could easily imagine this was an extra item offered by the CBSO in tonight's already generous programme. In fact it was a pre-concert taster given by the Royal Birmingham Conservatoire Symphony Orchestra, expertly rehearsed and conducted by Michael Seal. Seal's own history is a shining example of the links between the RBC (from which he graduated) and the CBSO (in which he became a second violin principal, and of which he is now Associate Conductor , with a baton sought after worldwide). Seal secured from his young charges sure-footed rhythmic impetus, a richness of sound allied with clear individual instrumental detail, and an astute sense of balance and sonority. The future of orchestral playing seems assured. Then came the CBSO, many of whose player...

NORMAN STINCHCOMBE REVIEWS CDS OF PIANO CONCERTOS BY WOMEN BRITISH COMPOSERS, AND A THRILLING SHOSTAKOVICH FOURTH SYMPHONY BRIGHT, GIPPS: Ward / McLachlan / RLPO / Peebles (Somm Recordings SOMMCD 273) ★★★★★ The CBSO recently performed, to great acclaim, the second symphony of Ruth Gipps who played oboe and cor anglais with the orchestra in the 1940s. This fine recording of her Piano Concerto in G minor (1947) will further enhance the reputation of a neglected all-round musician who was also a concert pianist until injury cut short her career. Murray McLachlan gives full weight to its romanticism – a whiff of Addinsell's 1941 Warsaw Concerto – but also its delicate slow movement, with full-blooded support from The Royal Liverpool Philharmonic Orchestra under Charles Peebles. Gipps' orchestral work Ambarvalia is a lively miniature. The Piano Concerto No.1 in A minor (1888) and Variations for Piano and Orchestra (1910) by Sheffield-born pianist-composer Dora Bright get their...

FLEXIBILITY, SPONTANEITY AND EMPATHY FROM THE EUCO EUROPEAN UNION CHAMBER ORCHESTRA Malvern College **** Difficult to banish thoughts of the current turmoil in this country's relationship with the European Union, but it was in fact a delight to concentrate upon the musical values of this concert from the 14-strong EUCO, one of the highlights of this year's splendid Autumn in Malvern Festival, a festival which has graced Elgarshire's calendar for nearly a third of a century. Cellists apart, all played standing, facilitating the heartwarming eye-contact and smiling communication between these young performers, led by the acrobatic, soaring and dipping violin of concertmaster Hans-Peter Hofmann. The works we heard actually benefit from the absence of a conductor's rigidity; here was all flexibility, spontaneity and empathy. Grieg's wonderfully nostalgic Holberg Suite was springy, but somewhat indistinct in articulation, due to the Great Hall's warm b...

SAINT-SAENS' "ORGAN SYMPHONY" AS IT SHOULD SOUND CBSO at Symphony Hall ★★★★ Great support for the CBSO's Benevolent Fund Concert with the "Sold Out" sign on the orchestra's website. The capacity audience was treated to vibrant performances of popular classics with conductor Andrew Litton and soloist Thomas Trotter giving their services free. Trotter, Birmingham City Organist since 1983, was cheered to the gods for one of his party pieces, the concluding Toccata from Widor's Organ Symphony No. 5. The orchestra stayed in their seats and craned their necks to watch Trotter as he juggled an ostinato figure, an implacably marching bass line and some snazzy decorations all in his (seemingly) effortless style. On disc Saint-Saëns' Symphony No. 3 often has a church organ dubbed, sometimes crudely, on to a studio recording. Here was how it should sound, organ and orchestra blending perfectly and, with the doors to the hall's reverbera...

RICHARD BRATBY THRILLS TO CBSO'S NEW MUSIC THE THRILL OF THE NEW CBSO at Symphony Hall **** "The Thrill of the New" was how it was billed, and with the CBSO scheduled to give some 40 premieres over its two centenary seasons, the idea seems to have been to offer a painless introduction to new(ish) music for – shall we say? – the more traditionally-inclined concertgoer. So Michael Seal conducted an appetising spread of bite-size modernist favourites dating from 1909 to last month, introduced and explained with colourful visual aids and unapologetic good humour by Paul Rissmann. A reasonably-sized audience was clearly on board with the concept: chuckling at the final deflation of Jörg Widmann's Con Brio (timpanist Tibor Hettich took a well-deserved bow), and sighing after the blissed-out string sonorities of Jennifer Higdon's String Lake. Seal looked after the details without ever letting the sense of direction flag, and the CBSO responded wit...

BIZARRE STAGE LAYOUT MUFFLES MOSCOW PHILHARMONIC SOUND Moscow Philharmonic at Symphony Hall ★★★ This concert was hampered by the orchestra's bizarre presentation decisions. At their request half the choir seating was removed and the back of the concert platform draped in black curtains, and no risers were used so that all players were on the same level. This left the wind section, in Tchaikovsky's Piano Concerto No 1, attempting to project through the conductor and the raised piano lid. No wonder they sounded muffled, as did the brass players squeezed up against the sound-absorbent curtains. I can't fathom what musical purpose the arrangement was meant to serve but it failed to match the spirited playing of soloist Alexandra Dariescu – her ample power for the famous opening's chords, winning delicacy in the slow movement, and with a silvery touch in the finale. Maria Antal's Event Horizon was receiving its UK premiere. The pieces of hers I've heard ...

ANOTHER FIVE-STAR PERFORMANCE FROM THE SINFONIA OF BIRMINGHAM SINFONIA OF BIRMINGHAM St Mary's Church, Warwick ***** Conductor Michael Seal certainly challenges his Sinfonia of Birmingham players with exciting, hair-raising programmes. The concert venue was St Mary's Church, Warwick – beautiful but very resonant. Passacaglia op 1 by Webern began this mind-blowing evening, A graduation piece in 1908, the 23 variations with highlighted solo strands weaving into shimmering tutti strings, a very busy piece throughout. Another tortured soul, Dmitri Shostakovich , started his Violin Concert no 1 with dark foreboding. Gold medallist Zoe Beyers riveted the audience with her overwhelming, sensitive deliverance of a tour-de-force, from almost inaudible silken threads, to foot-stamping burlesque-style wildness. (Oistrakh described this work as "demonic.") Hectic , crazy, sparkling finished this outstanding performance to cheering from an excited audience. ...

AMAZING WAGNER FROM THE FINEST NON-PROFESSIONAL ORCHESTRA IN THE LAND DAS RHEINGOLD Birmingham Philharmonic Orchestra at Symphony Hall ***** The horrors entailed in actually making it into Symphony Hall -- road closures because of the Great Birmingham Run, the ongoing Nightmare on Broad Street, lack of access into the ICC Mall, the renovations going on in the foyer -- were made wonderfully worthwhile by this mind-blowing performance of Wagner's Rheingold by what just has to be the finest non-professional orchestra in the land. Conductor Michael Lloyd insists upon the highest possible playing standards from the Birmingham Philharmonic Orchestra, and judging from the reactions of the amazed audience emerging at the end of the afternoon he is achieving marvels. For this account of the most perfect opera in Wagner's Ring tetralogy he had prepared his musicians meticulously, with the result that come the show he was able to pace everything with a natural flow, balanc...

                A WONDERFUL START TO ORCHESTRA OF THE SWAN'S NEW SEASON                                       ORCHESTRA OF THE SWAN                                     Royal Birmingham Conservatoire ***** Orchestra of the Swan's latest residency at the RBC began with an intriguing programme entitled "Tales of the City". Yes, urban soundscapes were certainly there, but we also heard a beautifully evocative aural image of the landscape of Cumberland and Westmoreland. This was Through Cumbrian Hills by RBC composition ...

NORMAN STINCHCOMBE ENTHUSES OVER NEW RELEASES OF BARTOK AND VAUGHAN WILLIAMS BARTOK BLUEBEARD'S CASTLE: Relyea / DeYoung / Bergen Philharmonic / Gardner (Chandos CD / SACD CHSA 5237) ★★★★★ In 2014 American mezzo-soprano Michelle DeYoung sang Judit in a concert performance of Bluebeard's Castle with the CBSO under Edward Gardner. She was magnificent, combining intelligence, passion and fearless singing – a feat she repeats here. Her compatriot John Relyea is a sonorous firm-toned Bluebeard, not as biting as some Slav basses but one who makes a convincingly romantic husband for his young fatally inquisitive bride. The heart of this opera comes when the fifth of the mysterious castle's seven doors is opened. The opera uses Bartok's biggest orchestra and here he unleashes it to spectacular effect. On disc, stripped of scenic effects, the music is all. The combination of the Bergen players skill, Gardner's masterly pacing and the Chandos engineers' expertise ...

AN EXCITING NEW SEASON FOR EX CATHEDRA'S GOLDEN ANNIVERSARY EX CATHEDRA by Christopher Morley "Yes, 50 years!" gasps Jeffrey Skidmore almost incredulously as we sit down for our annual lunch at Cielo in Birmingham's Brindley Place. We're there to talk about the forthcoming season of Ex Cathedra, the chamber choir Jeffrey founded half-a-century ago (coinciding with my own debut as music critic for the Birmingham Post), and a choir whose reputation has grown worldwide from its original Lichfield and Birmingham bases. Jeffrey has never had any ambitions to move away from his vibrant creation. "I'm happy to have been in one place," he says, "like the composers Lassus, Monteverdi, De Lalande, Bach, Juan de Aranjo in Sucre, Bolivia, and John Joubert here in Birmingham!" The Bolivian reference is pertinent, as Jeffrey has done so much work researching the church music of baroque composers in South America, music which c...

A CONCERT OF REAL ADVENTURE CBSO Symphony Hall ***** If the CBSO's programme continues to be as adventurous as tonight's during its two-year-long centenary celebrations which have just begun, then we're in for a fascinating journey. Three British rarities kicked off with the Second Symphony of the 25-year-old Ruth Gipps, premiered by George Weldon and the then City of Birmingham Orchestra almost exactly 73 years ago. A protegee of Weldon's, she had been the CBO's second oboe and principal cor anglais until gossip about their relationship forced her resignation. The symphony is a real find, strongly scored and structured, often redolent of Vaughan Williams (Gipps' teacher), and vibrant with personality. It is in fact a "War Symphony", conflict disturbing a pastoral idyll, and with a stamina-sapping snare-drum part which evokes Shostakovich's recent Leningrad Symphony. Often this 20-minute work has the evocative power of film-musi...

SHEKU'S ELGAR CELLO CONCERTO WITH THE CBSO FLOWS NATURALLY SHEKU PLAYS ELGAR CBSO at Symphony Hall ***** The concert opened with a slightly frustrating arrangement for brass, winds and percussion by Steven Stucky, of music written in 1694 for the funeral of Queen Mary II by Henry Purcell. Orchestrating another's music throws up all sorts of stylistic issues and has resulted in some fascinating and rewarding new compositions, but although the CBSO's brass section produced a resonant and mellifluous sound punctuated by a forceful funereal tread with timpani and percussion, the brief ten minute work seemed neither one thing nor the other. Not quite Purcell, but also without enough of Stucky's personality. The CBSO has had a close association with the rising star, Sheku Kanneh-Mason for three years now. This sold-out evening was advertised as "Sheku plays Elgar" and his fan club was vociferously in evidence, even before he played a note. He wear...

A WONDERFUL, CIVILISED EVENING AT BRETFORTON'S THEATREBARN "CAREFUL THE TALE YOU TELL" Theatrebarn, Bretforton, Evesham ***** It's heart-warming to feel the palpable sense of goodwill surrounding Theatrebarn. This newly-revived theatre-dining experience takes place in a cosy, intimate little raked theatre with a fabulous acoustic in a converted barn, and with lavish kitchens and comfortable post-show dining areas attached. Saturday's was the second production from this reborn enterprise, "Careful the tale you tell" featuring three well-known performers in the Whately family -- actors Kevin and wife Madelaine Newton and their singer daughter Kitty -- in a sequence of slightly scary readings and music making the listener want to curl up safely in front of a comforting fire (the comfort here came with the brilliant food afterwards). This was the world premiere of this presentation, and it certainly deserves to be heard again. Kevin and Madela...

ORCHESTRA OF THE SWAN ESTABLISHES MORE RESIDENCIES IN THE REGION ORCHESTRA OF THE SWAN by Christopher Morley Though its home base remains in Stratford-upon-Avon, the Orchestra of the Swan this season is establishing residencies in various parts of the West Midlands region, each one with its own aims and character. "We want to create an immersion in a mood for each residency," explains OOTS managing director Debbie Jagla. "We want to engage with each community and its characters, and we will have links with local partners in each residency, "Hereford is rural, so we are linking ourselves with local schools in the countryside, involving assemblies, open rehearsals, appearing in village halls and doing workshops in schools for children with special educational needs. "Our base will be the Courtyard Theatre in Edgar Street, and OOTS will be the only orchestra to appear there for the next three years.! Orchestra of the Swan has had a long-establis...

A WONDERFUL LAUNCH TO THE CBSO'S CENTENARY CELEBRATIONS A CHILD OF OUR TIME CBSO at Symphony Hall ***** Such is the power of Tippett's settings of Afro-American spirituals in his oratorio a Child of Our Time that they are still with me as I write, even after negotiating the roadwork horrors of Broad Street compounded by a water-main burst in the excavations. Tippett's idea was to bring universality into his composition, much as Bach used Lutheran chorales in his Passions, and it certainly works. What didn't quite work was Mirga Grazinyte-Tyla's idealism in involving us, the audience, into their delivery. It all seemed a trifle half-hearted. Never mind. Hers was a wonderfully engaging account of this masterpiece, launching two years of celebrations for the CBSO's centenary in 2020. There will have been players tonight who recorded the work under the composer's frail baton in 1991, soon after the opening of this magnificent hall, but here now was ...

NORMAN STINCHCOMBE REVIEWS JOHN WILSON'S THRILLING ACCOUNT OF KORNGOLD'S SYMPHONY IN F SHARP, AND A MIXED COMPLETE BEETHOVEN PIANO SONATA SET FROM IGOR LEVIT KORNGOLD: Sinfonia of London / Wilson (Chandos CD / SACD CHSA 5220) ★★★★★ Korngold was a child prodigy, hailed as a genius by Mahler. Fleeing the Nazis he became an Oscar-winning composer of Hollywood film music– ensuring vilification from the musical establishment. His Symphony in F sharp (1954) is a fine work of late romanticism, its huge orchestra used with immense skill. This is a terrific recording with conductor John Wilson, at home in Hollywood shows tunes and the core classics, eliciting a thrilling performance from the Sinfonia of London, a famous name in the 1950s newly reformed. The Chandos engineers exploit the generous acoustic of St Augustine's Church, Kilburn to create a stupendously wide-ranging recording. The opening movement is brooding and doom-laden – floor-shaking basses – but Wilson revels...

JOHN WOOLRICH PREMIERE A HIGHLIGHT OF NEW BROMSGROVE CONCERTS SEASON BROMSGROVE CONCERTS by Christopher Morley Year on year, Bromsgrove Concerts continues to provide a refreshing mix of established and contemporary music in its annual seasons, an exemplar to other societies with its lightness of touch mixing the old and the new. Pianists and strings are the thread running throughout Bromsgrove's 2019-2020 prospectus, with plenty more besides, and Luke Jones kicks off the season on Friday 27 September. This young pianist was winner of the Bromsgrove Competition in 2018, and he returns to the town with a challenging programme of Debussy's Images Book I, Ravel's Miroirs, Schumann's Waldszenen and Prokofiev's wartime Sonata no.8, with one of the most gracious slow movements ever written. The recital is given in the splendid Routh Hall at Bromsgrove School (8pm), and events for the rest of the season revert to the equally-accommodating Artrix (with...